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<!--Generated by Squarespace Site Server v5.9.1 (http://www.squarespace.com/) on Mon, 08 Feb 2010 23:47:12 GMT--><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"><title>The Bookish Dilettante</title><subtitle>The Bookish Dilettante Blog</subtitle><id>http://www.thebookishdilettante.com/blog/</id><link rel="alternate" type="application/xhtml+xml" href="http://www.thebookishdilettante.com/blog/"/><link rel="self" type="application/atom+xml" href="http://www.thebookishdilettante.com/blog/atom.xml"/><updated>2010-01-31T21:26:30Z</updated><generator uri="http://www.squarespace.com/" version="Squarespace Site Server v5.9.1 (http://www.squarespace.com/)">Squarespace</generator><entry><title>Who is Minding the Store? Amazon + MacMillan Kerfuffle is Not Just About Pricing</title><category term="Indie Booksellers"/><category term="Kindle"/><category term="MacMillan"/><category term="amazon"/><category term="book sales"/><category term="digital publishing"/><category term="ebooks"/><category term="ebooks"/><category term="indie book community"/><category term="pricing"/><category term="retailers"/><id>http://www.thebookishdilettante.com/blog/2010/1/31/who-is-minding-the-store-amazon-macmillan-kerfuffle-is-not-j.html</id><link rel="alternate" type="text/html" href="http://www.thebookishdilettante.com/blog/2010/1/31/who-is-minding-the-store-amazon-macmillan-kerfuffle-is-not-j.html"/><author><name>Kat Meyer</name></author><published>2010-01-31T20:36:41Z</published><updated>2010-01-31T20:36:41Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-float-left ssNonEditable"><span><img style="width: 250px;" src="http://www.thebookishdilettante.com/storage/pulp fiction.jpg?__SQUARESPACE_CACHEVERSION=1264972262224" alt="" /></span></span>Just read my dear friend <a href="http://moriahjovan.com/mojo/line-of-scrimmage">Morian Jovan's very sharp take on the latest Amazon adventure</a>. (Read it for gosh sake, it's short and you'll be a better person for it).</p>
<p>Therein, in a nutshell, MoJo advises big publishers to quit being babies and just take their ball and go home. Yes, I've mixed metaphors, as is my wont to do. But, her point is well taken. If you don't like the rules, dear big publisher, set up your own game. It's not <em>that</em> hard.</p>
<p>What's that you say? You don't wish to be bothered with the running of games?</p>
<p>That's cool. No, really. It really, <em>really</em> is. <strong>If some publishers don't necessarily want to get to know their customers on that personal of a level, that does not necessarily make them evil</strong>.</p>
<p>Consider if you will: big (and other sized) publishers have long gone the retailer route because, in its ideal form it provides a lovely and convenient way for publishers to stay in touch with their customer base without requiring an intense amount of their time - thereby allowing them to (supposedly) use every waking moment finding, polishing up, producing and marketing fantastic authors and books.</p>
<p>Plus, a retail intermediary provides the added benefit of not requiring publishers to handle change or smile too much. OH, and readers get the benefit of all those fantasticaly knowledgeable retailers telling them all about the perfect book for them, yadda yadda.</p>
<p>So, let's consider: Big publisher has decided he doesn't really want to be in the retail game, but he'd love to pay a nice retailer to act on his behalf. "Here you go, sonny. Here's a few bucks, show the reader a nice time, make sure she finds something she likes, and let me know how the evening goes."</p>
<p>It's kind of like having your friend take your girl out when you are too busy. Something only advisable when you really trust your friend.</p>
<p>You don't have to look far to see this working fairly well -- many brick and mortar stores, and many online e-tailers, are showing readers a fantastic time. Not coincidentally, a lot of these retailers (both on and offline) are indies, and are earning their market share by providing excellent customer service (to both their reader AND their publisher customers).</p>
<p>However, in particular cases -- really big cases -- disintermediation has ceased to provide certain value to the disintermediated, and I'm talking both ends of the chain. Publishers aren't getting any knowledge about customers, and readers aren't getting very good service finding books they want -- what they are getting are artificially-induced and unsustainable low, low prices on a relative handful of titles. And that, like shiny objects to a child, can be very attractive (or distracting, anyway) to readers.<br /><br />So, for publishers who don't want to play retailer, that's cool. You are forgiven for not taking your reader to the dance, but - be careful who you get to play the part on your behalf. They may not have either your, or your readers' best intentions at heart.</p>
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<div id="refHTML"></div>]]></content></entry><entry><title>Transmedia Storytelling: Pioneers in the New Age of Narrative, Pt. III - Jeff Gomez of Starlight Runner Entertainment</title><category term="Avatar"/><category term="Cathy's Book"/><category term="Jeff Gomez"/><category term="Starlight Runner"/><category term="transmedia"/><category term="transmedia storytelling"/><id>http://www.thebookishdilettante.com/blog/2010/1/6/transmedia-storytelling-pioneers-in-the-new-age-of-narrative.html</id><link rel="alternate" type="text/html" href="http://www.thebookishdilettante.com/blog/2010/1/6/transmedia-storytelling-pioneers-in-the-new-age-of-narrative.html"/><author><name>Kat Meyer</name></author><published>2010-01-06T17:04:57Z</published><updated>2010-01-06T17:04:57Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><em>(Note: This is part III of a four-part blog post. For part one, a profile of author Kate Pullinger, <a href="http://www.thebookishdilettante.com/blog/2010/1/2/transmedia-storytelling-pioneers-in-the-new-age-of-narrative.html">click here</a>. For part two, a profile of Lisa Holton, <a href="http://www.thebookishdilettante.com/blog/2010/1/4/transmedia-storytelling-pioneers-in-the-new-age-of-narrative.html">click here</a>. The blog posts are slightly edited from the original article, written for the November 2009 issue of the Queensland Writers Centre's <a href="http://www.qwc.asn.au/WritersResources/WQMagazine.aspx">Writer's Quarterly Magazine</a>.) </em></p>
<p><span class="full-image-float-left ssNonEditable"><span><img src="http://www.thebookishdilettante.com/storage/jeff gomez.jpg?__SQUARESPACE_CACHEVERSION=1262798180842" alt="" /></span><span class="thumbnail-caption" style="width: 75px;">Jeff Gomez of Starlight Runner Entertainment</span></span>Jeff Gomez is CEO of <a href="http://www.starlightrunner.com/">Starlight Runner Entertainment</a> and a leading creator of highly successful fictional worlds (he doesn't like to brag, but he had something to do with a little movie called <em><a href="http://www.avatarmovie.com/">Avatar</a></em>). He is an expert at cross-platform intellectual property development and transmedia storytelling, as well as at extending niche properties such as toys, animation, or video game titles into the global mass market.<br /><br />How does Jeff define transmedia storytelling? Jeff points out that, by definition, this narrative form should invite its audience to participate in the narrative in some way, stating: "This can range from providing a forum for readers or viewers to express their opinions, all the way to giving them a way to contribute creatively to the canon of the author&rsquo;s fictional universe. Without this offer of dialog, it&rsquo;s not transmedia."<br /><br />Narratives that work best in this format, Jeff says, are ones that "lend themselves to vast expansion" and Jeff takes inspiration from <a href="http://tolkienlibrary.com/index.php">Tolkien</a>. "He supplemented his novels with maps, languages, poetry, illustrations &ndash; all of it added up to a universe that felt as real as it was emotionally compelling for me. I just think you have to take the world that you&rsquo;ve established in your fiction very seriously &hellip; although we do a lot of stuff that appeals to kids, this isn&rsquo;t kid stuff. It&rsquo;s not easy to do &hellip; once you&rsquo;ve nailed your mythology down, transmedia storytelling is a cinch."<br /><br />Like <a href="http://www.thebookishdilettante.com/blog/2010/1/2/transmedia-storytelling-pioneers-in-the-new-age-of-narrative.html">Kate Pullinger</a> and <a href="http://www.thebookishdilettante.com/blog/2010/1/4/transmedia-storytelling-pioneers-in-the-new-age-of-narrative.html">Lisa Holton</a>, Jeff believes book publishers (or &lsquo;media packagers&rsquo;) are just beginning to feel their way through transmedia innovation, but he hopes they will soon jump in full force: <br /><br />"From my perspective anyone who&rsquo;s trying anything at all gets a gold star. I think it&rsquo;s more a matter of who is dipping their toe in the pool and who is committing to make the big dive ... none of the big [publishing] houses have climbed to the higher boards &hellip; [they] will have to fundamentally shift their business models to leverage transmedia in ways that record companies failed to do. There is precious little time left for the majors to engage this, but the ones who do this successfully will once again become major players.<br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/MHn4XB4tLH8&color1=0xb1b1b1&color2=0xcfcfcf&hl=en_US&feature=player_embedded&fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowScriptAccess" value="always"></param><embed src="http://www.youtube.com/v/MHn4XB4tLH8&color1=0xb1b1b1&color2=0xcfcfcf&hl=en_US&feature=player_embedded&fs=1" type="application/x-shockwave-flash" allowfullscreen="true" allowScriptAccess="always" width="425" height="344"></embed></object></p>
<p>"Artists and writers are only beginning to experiment with transmedia. It&rsquo;s the equivalent of rubbing two sticks together. On the other hand, I certainly appreciate what certain authors and packagers have been doing. Starlight Runner had long conversations with Lisa Holton when <a href="http://www.the39clues.com/"><em>The 39 Clues</em></a> was barely a glimmer in her eyes, and <em><a href="http://www.theamandaproject.com/">The Amanda Project</a></em> is actually the real payoff to that thinking in my opinion. Publishers who&rsquo;ve placed their bets on <a href="http://www.smithandtinker.com/about/founders/jordan-weisman/">Jordan Weisman</a> (<a href="http://www.perseuspodcasts.com/main/podcasts/book.php?isbn=9780762433469"><em>Cathy&rsquo;s Book</em></a>, the upcoming <a href="http://www.publishersweekly.com/article/CA6645165.html"><em>Lost Souls</em></a>) are seeing fascinating and fairly profitable projects being realised."<br /><br />Given the slow rate at which publishers appear to be adopting transmedia/multiple-channel storytelling, does Jeff think authors would be better-served to bypass the publishers and just publish to the web? <br /><br />"I think if they were ever going to, now is the time. I admit I&rsquo;ve been baffled by how and why publishers have dragged their feet on concerted multi-platform strategies around the intellectual properties that they take in by the thousand each year. It isn&rsquo;t ignorance, it&rsquo;s active resistance! <br /><br />So if I was an author who had an innovative way to communicate my long-form text-based narrative, yes, I might lose my patience with publishers and do a little direct marketing and distribution via the internet &hellip; in short, I would make it as much like sitting around a campfire with a whole bunch of friends telling them a story and watching their response and tweaking my delivery to that response as possible &hellip; that being said &hellip; there is nothing that generates more respect and grants more rights and revenues back to the creator than traditionally published books."<br /><br />----------------------------------------------------------------------------------------------------------------------------------------------------------<br /><br />Jeff Gomez will be a keynote speaker at this year's <a href="http://www.toccon.com/toc2010">O'Reilly Tools of Change conference</a>, and I'm very much looking foward to hearing what he has to say! For more information on TOC, <a href="http://www.toccon.com/toc2010">click here</a>.</p>
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<div id="refHTML"></div>]]></content></entry><entry><title>Transmedia Storytelling: Pioneers in the New Age of Narrative, Pt. II - Lisa Holton of FourthStory Media</title><category term="FourthStory Media"/><category term="Lisa Holton"/><category term="The Amanda Project"/><category term="digital publishing"/><category term="transmedia"/><category term="transmedia storytelling"/><id>http://www.thebookishdilettante.com/blog/2010/1/4/transmedia-storytelling-pioneers-in-the-new-age-of-narrative.html</id><link rel="alternate" type="text/html" href="http://www.thebookishdilettante.com/blog/2010/1/4/transmedia-storytelling-pioneers-in-the-new-age-of-narrative.html"/><author><name>Kat Meyer</name></author><published>2010-01-04T20:48:41Z</published><updated>2010-01-04T20:48:41Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><em>(Note: This is part II of a four-part blog post. For part one, a profile of author Kate Pullinger, <a href="http://www.thebookishdilettante.com/blog/2010/1/2/transmedia-storytelling-pioneers-in-the-new-age-of-narrative.html">click here</a>. The full article originally appeared in the November 2009 issue of the Queensland Writers Centre's <a href="http://www.qwc.asn.au/WritersResources/WQMagazine.aspx">Writer's Quarterly Magazine</a>.) </em></p>
<p><span class="full-image-float-left ssNonEditable"><span><img src="http://www.thebookishdilettante.com/storage/Lisa%20Holton.jpg?__SQUARESPACE_CACHEVERSION=1262638474141" alt="" /></span><span class="thumbnail-caption" style="width: 131px;">Lisa Holton of FourthStory Media</span></span>Lisa Holton, Founder and CEO of <a href="http://www.fourthstorymedia.com/">Fourth Story Media</a> is currently enjoying the success of <em><a href="http://www.theamandaproject.com/">The Amanda Project</a></em>, the first collaborative, interactive fiction series for girls aged 13 and up. <em>The Amanda Project</em> unfolds across an interactive website, and readers not only read &ndash; but write parts of what will become the published books. For the uninitiated, <em>The Amanda Project</em> is not really a book, it&rsquo;s not a video game, and it&rsquo;s not a website. Lisa and the other creators call it "a collaborative, interactive mystery &ndash; where readers can participate in the story."<br /><br />It was Lisa&rsquo;s 25 years working in children&rsquo;s book publishing, and the ideas expressed in <a href="http://borndigitalbook.com/"><em>BORN Digital</em></a> that helped generate the idea for <em>The Amanda Project</em>. <br /><br />"Publishing is an art as well as a business &ndash; attracting, nurturing, editing, and supporting talented authors and illustrators, designing and producing books, connecting them with readers. I believe many, many kids love to read and many more love to live online &ndash; so I started thinking about how to combine those two activities, and Amanda just kind of appeared."<br /><br />What would Lisa consider as one of the drawbacks of being a pioneer in transmedia? <em>The Amanda Project&rsquo;s</em> unusual nature as a non-book can make it harder for people to understand what it is: "There has certainly been a fair amount of attention, but since it&rsquo;s completely new and unlike anything else that exists, it&rsquo;s understandably hard for some people to get what the heck we&rsquo;re talking about -- teens, though, usually get it immediately."<span class="full-image-float-left ssNonEditable"><span><a href="http://www.theamandaproject.com/"><img src="http://www.thebookishdilettante.com/storage/theamandaproject.jpg?__SQUARESPACE_CACHEVERSION=1262639246773" alt="" /></a></span></span></p>
<p>And it is a huge collaborative effort. Says Lisa, "We approached Melissa Kantor and Peter Silsbee, the first two authors [about telling] an ongoing story over a series of novels and the web ... we all got together with <a href="http://www.happycog.com/">Happy Cog</a>, our web design firm, and played around with both story and format at the same time ... then Melissa and Peter went off and created characters and a story while Happy Cog invented a web site that allows kids to participate in the story.<br /><br />The creative process was exciting because each person got to do what they do best &ndash; write, design,create information architecture &ndash; but they got to talk about it with other talented people, learn what the others were doing, and be inspired by each other&rsquo;s work. I think everyone involved got a big kick out of it, and fed off of each other&rsquo;s ideas."<br /><br />Lisa&rsquo;s role became something akin to a director: "I did what you do when you direct or produce any creative endeavor &ndash; go find talented people, help them do their best work, clearly define what it is you&rsquo;re trying to do and then try to move toward completion &hellip; the real challenge is in the editorial work."<br /><br />But the most challenging aspect of The Amanda Project?</p>
<blockquote>
<p>"Anytime you try to make up something as you go along, it is going to be challenging. Balancing the plot arc and mystery over the site and the books will continue to be a big challenge, and we will need to make sure we are as responsive to the kids' contributions as we are now while we grow. Perhaps the hardest thing continues to be trying to explain to non-Amandaites what it&rsquo;s all about."</blockquote>In true transmedia style, engagement/interactivity between the reader and the story is a big focus of Lisa&rsquo;s work on <em>Amanda</em>. "It&rsquo;s the goal of the project. We know we&rsquo;ve accomplished it when we see the readers diving into the stories online &ndash; they create amazing characters, write beautiful responses, and are wildly creative in the way they further the story."</p>

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<p><a href="http://www.thebookishdilettante.com/blog/2010/1/2/transmedia-storytelling-pioneers-in-the-new-age-of-narrative.html">Click here to read Pt. I of Transmedia Storytelling: Pioneers in the New Age of Narrative - KATE PULLINGER</a>.</p>
<p><br />Check back Wednesday for Pt. III of this post: Transmedia Storytelling: Pioneers in the New Age of Narrative - JEFF GOMEZ of <a href="http://www.starlightrunner.com/">Starlight Runner Entertainment</a><br /><br /></p>
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<div id="refHTML"></div>]]></content></entry><entry><title>Transmedia Storytelling: Pioneers in the New Age of Narrative</title><category term="Flight Paths"/><category term="Inanimate Alice"/><category term="Jeff Gomez"/><category term="Kate Pullinger"/><category term="Lisa Holton"/><category term="Peter Collingridge"/><category term="digital"/><category term="digital publishing"/><category term="transmedia"/><category term="transmedia storytelling"/><id>http://www.thebookishdilettante.com/blog/2010/1/2/transmedia-storytelling-pioneers-in-the-new-age-of-narrative.html</id><link rel="alternate" type="text/html" href="http://www.thebookishdilettante.com/blog/2010/1/2/transmedia-storytelling-pioneers-in-the-new-age-of-narrative.html"/><author><name>Kat Meyer</name></author><published>2010-01-02T18:03:23Z</published><updated>2010-01-02T18:03:23Z</updated><summary type="html" xml:lang="en-US"><![CDATA[In interviews with four pioneers – Kate Pullinger, Lisa Holton, Jeff Gomez, and Peter Collingridge – in the world of transmedia storytelling, the motivations of the storytellers are as diverse as the execution of the stories themselves. Transmedia storytelling is the process of sharing a narrative through many different channels (websites, video, audio etc) at once,  often becoming an interactive process with input from the reader.

Each of these players in the movement has a different idea of what it is about. Some want the readers to interact with the narrative, some don't; some see it as commercial enterprise, some as very much a learning and educational tool. What is clear is that transmedia is an exciting process that gives new depth to traditional text-only narrative.]]></summary></entry><entry><title>Glue: Online Book Curation That Sticks With You</title><category term="Glue"/><category term="Social Media"/><category term="book blogs"/><category term="book discovery"/><category term="book marketing"/><category term="book review"/><category term="clients i love"/><category term="reviews"/><category term="social media"/><id>http://www.thebookishdilettante.com/blog/2009/11/4/glue-online-book-curation-that-sticks-with-you.html</id><link rel="alternate" type="text/html" href="http://www.thebookishdilettante.com/blog/2009/11/4/glue-online-book-curation-that-sticks-with-you.html"/><author><name>Kat Meyer</name></author><published>2009-11-04T18:33:31Z</published><updated>2009-11-04T18:33:31Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>"AdaptiveBlue's <a href="http://getglue.com/">Glue</a> is a site-centric product that acts as both a hub and a spoke of the social web." -- <a id="t1mn" title="ReadWriteWeb" href="http://www.readwriteweb.com/archives/getgluecom_distributed_networking_recommendation.php">ReadWriteWeb</a><br /> <br /> "Last year, it was Facebook. This year, it's Twitter. What's it going to be next year? Allow me to present a possible contender: <a title="http://www.getglue.com" href="http://www.getglue.com/" target="_blank">Glue</a>." - <a href="http://news.shelf-awareness.com/msgget.jsp?mid=3022395"><em>Shelf Awareness</em></a><br /><br />Hello my bookish friends:<br />I am hoping I can get you all to take a look at (and share) some info about <a id="qr8b" title="Glue" href="http://getglue.com/">Glue</a>. In the not-so-distant past, I've waxed poetic about Glue and how it can/will revolutionize online book curation. Yes, I've loved and talked about them all along, and<strong> --BIG DISCLAIMER-- EVEN THOUGH THEY ARE A NOW A CLIENT</strong>, the truth is I would still be talking about them today regardless (shh - let's keep that part between us).&nbsp;</p>
<p>You see, the Glue folks just keep improving their offering, and I wanted you, my bookish darlings, to be aware of some updates that make Glue even more useful for passionate readers like us. <br /><br />Glue is still doing the cool thing it does best: with Glue, book recommendations and reviews find YOU (the Glue review bar lives on your browser and goes where you go). But, the Glue book search-and-share experience is now more streamlined and much more feature-rich:</p>
<ul>
<li><a id="llwm" title="Glue" href="http://getglue.com/">Glue</a> now has a dedicated social website, complete with game-like features: collect "stickers" and compete to become the world wide web "Guru" of your favorite books. So, while the Glue bar still <a id="h_gf" title="goes where you go" href="http://www.getglue.com/sites">goes to all the online bookish places you go</a> (be that <a id="bj29" title="IndieBound, Amazon, Random House, LibraryThing, HuffPo, etc." href="http://www.getglue.com/sites">IndieBound, Amazon, Random House, LibraryThing, HuffPo, etc.</a>), now it also has its own permanent home on the web.</li>
<li>Glue catalogs your tastes, as well as those of your friends and what is popular with users across the network - then recommends titles to you based on any or all of these permutations.</li>
<li>New features to ensure your privacy: the Glue system is completely opt-in for users and opt-out for publishers, and now includes a three-tiered system of privacy options that you can easily toggle between.</li>
</ul>
<p>A lot of our friends in the book community are already hip to Glue (<a id="fwcb" title="Rich Rennicks over at Word Hoarder" href="http://wordhoarder.wordpress.com/2009/09/19/engaging-your-customers-through-social-media/">Rich Rennicks over at Word Hoarder</a> has been a big fan for awhile), but the more of us who start using Glue, the better it will be at helping us all find and share the books we love (and those we don't love so much, for that matter). Please take a look at the site, and please tell other bookish peeps about Glue.</p>
<p>Curious what your bookish tweeps have to say about Glue? Here is a bit of Glue TwitterChatter: <a href="http://www.readwriteweb.com/archives/getgluecom_distributed_networking_recommendation.php" target="_blank">http://delicious.com/adaptivebluepr/twitter</a></p>
<p>If you need more info, have specific questions, or plan to write an article/blog post and want to chat with Fraser Kelton at Glue, just let me know.<br /><br />xo</p>
<p>~ Kat</p>
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